Fine Print Gallery  

Jean Gabrael Fine Prints

 
                                       
 

 

 

Fine Antique Prints

Jean Gabrael
 

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Black with silver trim  or Gold tone finish in inch hard wood frame

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Double mat (ivory outer mat and dark green inner mat with 1/4 inch offset)

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View Our Art Deco Pochoir Print Collection:
 
 
Gazette du Bon Ton
 
 
From 1912 to1925 (with time out for the war years) the Gazette du Bon Ton set the tone for sophisticated style and taste. As a periodical, it was designed to be both expensive and exclusive. It appeared about ten times a year and appealed to the urban, well-bred leisure class of the jazz age. As a publication, the pages were loose and not bound and enclosed within a cover. The articles concerned entertainment with emphasis on travel, theater, restaurants and or haute coutre fashion. See More Info.
 

 

 
 
Journal des Dames
 
 
The Journal des Dames (1912 to 1914) was one of three celebrated limited edition periodicals that appeared at the start of the art deco period. Its audience was similar to that of the Gazette du Bon Ton. It concentration was in the fashion world of the time and was celebrated in the highly sophisticated plates that were part of each issue. Using the pochoir stencil process (see [ Information ]  page on this site) each plate blended delicacy and color with the fashion of the day often against a background setting. Each plate appealed both to fashion connoisseurs and to collectors of fine prints. See More Info.
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Falbalas et Fanfreluches
 
 
Falbalas et Fanfreluches is a wonderful album of 60 pochoir prints produced from 1922 to 1926 by George Barbier. Barbier creates an elegant viewpoint of the art deco lifestyle and also examines earlier periods through an art deco technique. The prints are an absolute delight. Limited to 600 copies. See More Info.
 
     
 
Modes et Manieres
 
 
Modes et Manieres d'Aujourd'hui was one of the three great fashion and lifestyle publications of the Art Deco period. It was published between 1912 to 1922. The cover of the publication was hard and the insides were loose pages of poetry, fashion and entertainment. Accompanying the text were excellent pochoir prints capturing the exuberant high style of the times. The limited edition publication consisted of only 300 copies. The plates are very rare and highly collectible and decorative. See More Info.
 
   
 
Fetes Galant
 
 
Fetes Galantes is an album consisting of highly romantic prints of French life among the upper classes of the 19th century. The prints accompany Paul Verlaine's poetry. Each album contains 20 prints illustrated in pochoir by George Barbier. Only 1,200 print sets. See More Info.
 
 
Cantique des Cantiques
 
 

A beautiful series of pochoir prints by George Barbier embellished in gold and black. These prints are influenced by classic Greek mythology and ancient vase paintings. 

There were only 240 print sets created in 1914. See More Info.

 
   
 
La Derniere Lettre Persan
 
 
La Derniere Lettre Persan is a marvelous folio of twelve (12) large size fashion plates of fashion fur styling.  

The prints were created by Benito in the twenties. The series of prints is limited to 250 and individual prints are very hard to find. See More Info.

 
   
 
Les Chose des Paul Poiret
 
 

This is the famous album of twelve pochoir prints by George Lepape for Paul Poiret. The ravishing prints had significant influence in the world of couture fashion.

There were only 1000 print sets created in 1911. See More Info.

 
   
 
Les Robes des Paul Poiret
 
 

The robes portfolio was commissioned by Paul Poiret in 1908. The series of prints is one of the signature examples of the couture industry. The entire tirage is limited to only 300 examples.

A classic and extremely rare series of fashion prints created by Paul Iribe. See More Info.

 
   
 
Personnages de Comedie
 
 
Personnages de Comedie is one of George Barbier's masterpieces of illustrations. There are only 150 copies of this delightful portfolio of prints. About 30 sets are believed to be in museums.

Illustrated by George Barbier and printed in colors from wood-blocks  by F.L. Schmied with touches of hand coloring. See More Info.

 
   
 
     

 
 

 

     
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